7-8.2004 The City Without Qualities: Cinema and the Post Apocalyptic Ruin Santiago Sierra: The Artist as Employer Creative Politics in the White Cube? Liberté, Égalité, Visibilité Modalities of Place The Limits of Reason: Immanuel Kant 200 years UnFolded Flying Object (UFFO) Images of Japan Olov Wallenstein A Survival Guide for Tokyo Alchemical Nights Japanese Art Sent into the Global Age From Urban Metabolism to the Philosophy of Symbiosis. Interview with Kisho Kurokawa From the Centre to the Periphery: Contemporary Suburbanism in Japan Legal Squatting in Central Tokyo Auteur Criticism and the Tradition of Pornographic Movies: Influences in ontemporary Japanese Cinema Tokyo and The Monument |
